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Open a larger version of the following image in a popup: Ancient Egyptian Fragments, Re-united wooden fragments of the coffin of the Samaref Priest Horudja, 664-525 B.C
Open a larger version of the following image in a popup: Ancient Egyptian Fragments, Re-united wooden fragments of the coffin of the Samaref Priest Horudja, 664-525 B.C
Open a larger version of the following image in a popup: Ancient Egyptian Fragments, Re-united wooden fragments of the coffin of the Samaref Priest Horudja, 664-525 B.C
Open a larger version of the following image in a popup: Ancient Egyptian Fragments, Re-united wooden fragments of the coffin of the Samaref Priest Horudja, 664-525 B.C
Open a larger version of the following image in a popup: Ancient Egyptian Fragments, Re-united wooden fragments of the coffin of the Samaref Priest Horudja, 664-525 B.C
Open a larger version of the following image in a popup: Ancient Egyptian Fragments, Re-united wooden fragments of the coffin of the Samaref Priest Horudja, 664-525 B.C

Ancient Egyptian Fragments

Re-united wooden fragments of the coffin of the Samaref Priest Horudja, 664-525 B.C
H 47,9 x W 13,6 x D 5,4 cm
H 18 7/8 x W 5 1/3 x D 2 1/8 inch
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The relief is a tall, narrow wooden corner post forming part of a rectangular anthropoid sarcophagus belonging to Horudja, a Sameref priest active during the 26th Dynasty. The post is...
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The relief is a tall, narrow wooden corner post forming part of a rectangular anthropoid sarcophagus belonging to Horudja, a Sameref priest active during the 26th Dynasty. The post is carved from a dense, reddish-brown hardwood, likely acacia or sycomore fig, and displays a single vertical register of hieroglyphic inscription incised in low relief., and black tones, now largely lost but still visible in recesses along the carved signs.

The front face is smoothly dressed and carved with careful, elegant hieroglyphs typical of the Saite Period’s revivalist classicism, reflecting the archaising tendencies of Dynasty XXVI. The back of the post is roughly chiselled, with four mortise-holes corresponding to dowels that once secured it to the wooden frame of the coffin. The post is split vertically along the grain but retains structural integrity; the surface shows fine craquelure and minor losses at the upper and lower edges.


The object represents the reunited upper and lower segments of the same vertical post, now brought together for the first time in over fifty years. The join between the two sections is purposely kept visible in the mounting. The proportions and curvature of the edges confirm its function as a corner element framing the coffin front.
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Desmet Fine Art

RUE DE LA RÉGENCE 17
LE SABLON
1000 BRUSSELS
BELGIUM
INFO@GALLERYDESMET.COM
TOM DESMET  +32 475 37 60 50
TOBIAS DESMET +32 486 02 16 09
TEL & FAX +32 2 514 98 88
 
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